DATH
1100. Exploration of Voice and Movement. (3)
(O)
Creative and effective communication of ideas through the use of
the body and voice. Will include physical and vocal technique,
improvisation and group problem solving. Four contact hours.
(Fall, Spring)
DATH 1200.
Elements of Design for the Stage. (3)
Elements and principles of design in relation to the performer,
performance and performance space with emphasis on developing
perceptual and communication skills through exposure to and
analysis of a diverse selection of dance, theatre, and
related-performance images. (Spring)
DATH 1600.
Cornerstone Seminar. (1)
Prerequisite: Restricted to dance and theatre majors and minors
or permission of instructor. Reading, viewing, writing and
discussion focusing on the functions of dance and theatre within
society including contemporary trends and current
research/creative activity. Two contact hours. Graded on a
Pass/Fail basis. (Fall)
DATH
2401. Production Practicum. (1)
Practical application of production work in the areas of
scenery, lighting, sound, costuming, properties, publicity, box
office, house management, and stage management. May be repeated
for credit. (Fall, Spring)
DATH 2402.
Performance Practicum. (1)
Prerequisite: Audition. Practical application of performance
techniques within a production setting, including auditions,
rehearsals, and performances. May be repeated for credit.
(Fall, Spring)
DATH
3600. Capstone Seminar. (1)
Prerequisites: DATH 1600 and senior standing. Synthesis,
integration, and application of theoretical and experiential
study in dance and theatre through individual/group designed
seminar topic. Investigation and planning for immediate and
life-long career options through guest lectures, panel
discussions, site visits, presentations, and related
mini-projects. Two contact hours. Graded on a Pass/Fail basis.
(Fall)
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